When I think “Hollywood icon,” I think of beauty, glamour
and larger-than-life fame—beyond reality and fuel for fantasy. However, movie stars are people, too. Because of their wealth and influence, they
possess the ability to make significant change in the world.
Aubrey was a little concerned that I would prefer she choose someone other than Hepburn for Wednesday’s Woman because of her iconic status. However, when the famous choose to embrace their own humanity and use their dominant place in culture to affect the lives of others in a positive way, icons become more real and even more inspirational. It is important to remember the famous for their authenticity, and Aubrey’s choice for Wednesday’s Woman helps us to do just that.
“Maybe it's not so bad to believe in something bigger, something that connects us all. Maybe it's exactly what I need to step outside this box and be something stronger.” ~Aubrey Ortega
I am already stronger for knowing Aubrey through reading her
blog Way Too Much Aubrey and I can sense her searching for "something stronger" within her post today. She’s a PPD survivor striving to reach out to others suffering from PPD, for she knows
there is strength in numbers. Her blog
comes with a warning that you’ll get nothing but the truth, and truth she
gives. Way Too Much Aubrey is fun and genuine, a place in the blogosphere I
recommend you visit right after your read her inspiring piece for this week’s
Wednesday’s Woman.
Wednesday’s Woman:
When Fame and
Beauty is Last on Your Priority List
Audrey Hepburn, in most respects, is old news. I am not going to
tell you about her style, her beauty, or her film career, all of which are
well-known aspects of her life already. The reason Audrey is my choice for
Wednesday’s Woman is because if you were to ask Audrey about those things, she
would wave you off and talk about the really important things in life, like
motherhood and putting yourself last.
When interviewed by the great fashion magazines on How to Look as Lovely As Audrey Hepburn,
she replied,
"For beautiful eyes, look for the good in others; for
beautiful lips, speak only words of kindness; and for poise, walk with the
knowledge that you are never alone."
She was quoted as having also said, “I never think of myself as an
icon. What is in other people's minds is not in my mind. I just do my
thing." Never boastful, or even aware of her own beauty and charm,
Audrey’s ONLY hope was to be a loving mother and to use her accidental fame to
help others.
Audrey turned down the lead role in George Stevens' Diary
of Anne Frank because, as a young girl in Holland during World War II,
she witnessed Nazi soldiers publicly executing people and herding Jews onto
railroad cars to be sent to death camps. Audrey identified with Anne's story of
Nazi-occupied Amsterdam so much that she said her participation in the 1959
film would have been much too realistic and painful in memories.
As a pre-teen Audrey voluntarily aided the
underground effort against the Nazis. She ran many messages (in her shoes),
risking her own life to help save the lives of others. During the Dutch famine
over the winter of 1944, brutality increased and the Nazis confiscated the
Dutch people's limited food and fuel supply for themselves. Without heat in
their homes, or food to eat, people in the Netherlands starved and froze to
death in the streets, particularly so in Arnhem, which was devastated during
allied bombing raids that were part of Operation Market Garden. Suffering from
malnutrition, Audrey developed several health problems. She would stay in bed
and read to take her mind off the hunger, and she danced ballet for groups of
people to collect money for the underground movement. She resorted to digging
up and eating tulip bulbs to survive the famine. There was even a period of
time (approximately one week) during the war when Audrey hid from the Nazi
forces in an alley, her five-foot-seven frame scrunched to fit into a box.
Unable to move for fear of being discovered, Audrey suffered the affects of
malnutrition and physical repercussions of that event for the rest of her life.
Audrey’s chosen charity was UNICEF because that
was the organization who came in and brought food and supplies to her community
when the war ended. They literally saved her life and the life of her family,
and she committed much of her life to that same cause.
Her first field mission was to Ethiopia in 1988. She visited an
orphanage in Mek'ele that housed 500 starving children and had UNICEF send
food.
Of the trip, she said, "I have a broken heart. I feel
desperate. I can't stand the idea that two million people are in imminent
danger of starving to death, many of them children, not because there isn't
tons of food sitting in the northern port of Shoa. It can't be distributed.
Last spring, Red Cross and UNICEF workers were ordered out of the Northern
provinces because of two simultaneous civil wars... I went into rebel country
and saw mothers and their children who had walked for ten days, even three
weeks, looking for food, settling onto the desert floor into makeshift camps
where they may die. Horrible. That image is too much for me. The 'Third World'
is a term I don't like very much, because we're all one world. I want people to
know that the largest part of humanity is suffering."
Wednesday’s Woman was beautiful
beyond most of our wildest dreams, was a movie star (31 high-quality films)
without even meaning to be, and will forever be a fashion icon around the
world. But all she really wanted was to help a starving child, and that she did
until her death at age sixty-four.
“If you
deny childhood, you deny life.”
Aubrey asked that this Barbara Walter's interview be included because, "I believe it speaks volumes more than I could."
Aubrey asked that this Barbara Walter's interview be included because, "I believe it speaks volumes more than I could."
